Thursday, 7 November 2019

Footpaths closed: A transition

A change of jobs has brought an end to more commuting. I undertook a final lunchtime walk in Peterborough on Halloween/Samhain, the point in the year said to mark a thinning between the material/human and spirit worlds and also a transition in the seasons towards darker months. Coincidentally I was undergoing my own transition, back to being (mostly) based in Cambridge rather than existing in and between dual locations, a state necessitated by commuting. A state that is taken for granted as 'normal' by a significant proportion, probably the majority, of the working population. I had attempted to make the most of it by trying to make the walks to and from work minor psychogeographical excursions, rather than feats of efficient transportation.  I had also, wherever possible, taken a 'walkers lunchtime' to explore the environs within the restricted radius imposed by limited time. I was also fortunate that my journey was by train, which meant time for reading, writing, watching films and looking out of the window vacantly at the strange Fen landscape.  Had I been forced to drive along the A14 everyday, with its jams, crashes, roadworks and ability to deposit me too near the office to get more than two minutes walk in unless I wandered off the wrong way, I would have suffered much more.

I wandered down Long Causeway which was imbued with strange autumnal light, almost twilight like despite it being midday. The red wig and clothes of the sad looking clown, a regular here, stood out brightly against the sepia background. I noticed strange buff coloured straw-like conical decorations on the lamp posts, adding to the strangely subdued atmosphere. I quickly realised these were meant to be Christmas Trees, which no doubt would be lit up later. But for now they resembled straw figures, static offcuts of the Straw Bear, resident of nearby Whittlesea.

Having drifted to the vicinity of the bridge that crosses the Ouse, I thought about taking the Henry Penn Walk along the river. But the pathway was closed, as all pathways in Peterborough were about to be for me, at least on a regular basis. Although I had managed quite a few lunchtime excursions over the last year and a half, I felt like I had barely scratched the surface of the possibilities available, even within the time limits of lunchtimes and the walk to and from the Station. But my time was up, sooner that I had expected. As symbolised by the sign in front of me.

Psychogeography, Peterborough, Closed Path, Commuting

I lingered a while at 'The Voice of The City' sculpture which commemorates Henry Penn and represents the various stages of his founding of one of the Cathedral bells. One of Penn's bells is still housed in the cathedral tower and apparently rings to mark the hour. It struck me that I had never heard (or noticed) any bells ringing during my tenure here. And despite the still sepia atmosphere being perfect for their tolling today, the voices of the city remained silent.

I crossed the bridge, having been shunned by the closed path and the determined silence of the bells. My status in the town was of a transient outsider. I realised how little interaction I'd had with the people of the city other than the people I worked with (most of whom lived outside it anyway), or people serving in shops, cafes and pubs. I had enjoyed being an observer on the periphery, blending into the background apparently unnoticed. But I was aware of my lack of integration with the everyday life of the city which made things feel a bit unfinished and unsatisfactory. An inevitable outcome of the limited nature of the time available around work and train, as well as my ability to procrastinate and put things off. I was about to leave for the final time, the closure of the path seemed symbolic of the city sending me message that it was time to sod off.

I continued on past the Apex, under the railway bridge and across the park that sits opposite the abandoned Cherry Tree pub on Oundle Road. The park was fenced off from some flats, or they fenced off from it. A gate offered a way through and I followed the route of the car park that sat between  the two blocks of low rise flats, both clad in some sort of off-white plastic looking panelling. The same day I'd heard about the Fire Brigade being scapegoated for the deaths in the Grenfell fire. Not only did these buildings look like a static version of spaceships from the TV show 'Space 1999' due the the unpleasant looking cladding, there was the possibility they were highly flammable as a result.

I was glad to emerge the other side, near a pleasant looking pub hidden off the main drag. Just beyond this was a car park attached to a small supermarket and an establishment selling 'Pisa'. I soon found myself back on Oundle road. I had never got beyond the old factory-like building now occupied by Anglia Ruskin University that stood opposite me. Time had always been against such an endeavour. Far beyond (relative to the distance walkable in a lunch hour) are The Orton's, collectively one of the four designated townships of Peterborough New Town and built around one or two existing villages. I imagined a collection of through- the-ages housing estates from crumbly old village, 60s and 70s cheap modernism, 80s/90s Barrett and millennial contemporary shoe box beige, dry-lining and glass. But I had failed to ever get there to find out.

It was time to start heading back. Before I did I was drawn into a charity shop. I found a book of photographs of clouds, which  had recently been recommended to me by the Internet. I procured the book for a very reasonable 50p. This stroke of luck/coincidence was akin to a parting gift, something to take with me on my way out of the City as a memento. That the sky had maintained its strange sepia tone, with orangey monochrome cloud formations visible in the distance, seemed fitting.

I drifted back, retracing my steps and thinking of places never visited on the periphery of the City. Places with strange names shown on the front of buses like Paston, Castor and Dogsthorpe, as well as the townships Breton, Orton and Hampton, would remain imagined and uncharted territory. At least for now.

Tuesday, 8 October 2019

Market: Unwittingly wandering into the 'opportunity area'

A short lunchtime. I went to the nearby Peterborough Market and walked it's perimeter in a clockwise direction. An undertaking that could be carried out in about five minutes if done in the most efficient manner. But although time was short, maximum efficiency was not on the agenda. It was lunchtime after all.

I lingered in Laxton Square and perused the plaque that commemorates Ray Laxton and his services to 'the building of the new Peterborough'. Laxton was a member of the Peterborough Development Corporation, the body set up when the city gained New Town status in the late 1960s. The plaque states he died in 1980. Too early for the opening of the Queensgate Shopping Centre or the advertising campaigns promoting 'The Peterborough Effect' featuring Roy Kinear dressed as a Roman Soldier. Both were events that marked a peak in the City's fortunes in the mid 80s.

The square is part surrounded by large office buildings including the Passport Office. It is occasionally used for union gatherings and public meetings. But today, like most days, it was occupied by a handful of coffee drinking workers, depressed looking vapers and a man staring vacantly into the distance.

Psychogeography, Peterborough, Laxton, Peterborough Development Corporation

I moved on before stopping to observe the pigeons that occupy the roof of the former 5th Avenue nightclub among feral grass and other vegetation. The building has been unused since the nightclub closed in 2002. Prior to that it had been used as the County Court and Probate Office.

Recently planning permission was granted for conversion of the building into 'co-living' space accommodation.  The Brightfield Group, who's Managing Director recently stood as candidate for the Brexit party in the Peterborough by-election, are behind the plans. In the local rag their CEO was quoted as stating, 'it will attract all ages but with a core focus on embracing the increasing mobility of Millennials and their stronger sense of community and connected living'.  In the market today there was an apparent lack of 'mobile Millennials'. Whether they will materialise and come to embrace this sort shared house/youth hostel/university halls of residence sounding amalgam, or if not whether a planning variation for short stay hotel/air b n b style accommodation will be required as plan b, only time will tell.

Psychogeography, Peterborough, 5th Avenue, Pigeons

Thoughts and fears of future dystopian housing arrangements abated as I was drawn to the remnants of an old fly-poster underneath the clouded aperture of a long disused window. It was stuck on top of the grey and blue abstraction of ancient looking peeling paintwork from an earlier decade. I could make out the poster had advertised a gig and tickets had been available for £2.50 from Andys Records.

Andys Records was the foremost record shop chain in East Anglia, rivalled briefly by Parrot Records in the 80s and 90s. Both had long gone by the time the current vinyl revival had begun. The ghost fly-poster had drawn me away from visions of overpriced communal shoe box accommodation to memories of  hours spent rummaging through racks of records in my teens in Cambridge.  I recalled the comforting smell of secondhand vinyl at The Beat Goes On (Andys' secondhand department) and the epic (at the time) walk from Cherry Hinton to the Mill Road shop to buy punk records when I had just started secondary school. On an a rare early trip to Peterborough around the same time I visited the local branch and bought 'Bomber' by Motorhead on blue vinyl.

Andys had its origins on Felixstowe Pier in 1969, with a stall on Cambridge market following soon after. By the 90s it had expanded outside of East Anglia and was a national high street chain. The Cambridge shops on Mill and Hills Roads later amalgamated into one larger concern located on Fitzroy Street. It traded there for some years and although still a necessary Cambridge institution, I can't help feeling  it's proximity to the much maligned Grafton Centre played a part in the chains' eventual downfall. It would have been much more suited to the considerably less sterile pre-Grafton Fitzroy Street as part of the old Kite area, a place that the fly-poster I was looking at now could have belonged.

Psychogeography, Peterborough, Market, Gentrification

Feeling somewhat cleansed by nostalgia, I drifted across the road where I observed the signage for the Hereward Cross Shopping Centre. The name of course refers to Hereward The Wake, the semi mythical outlaw/mercenary who resisted the Norman occupation of Britain. References to Hereward abound in The Fens. The shopping centre stands across the road from the Cathedral which Hereward helped sack back in the 11th century.  The Cathedral was later rebuilt. The shopping centre is it's physical and spiritual opposite. A 60s flat roofed carbuncle with a car park and tower block attached. The signage provides a bullet pointed list of 'nos' below the symbols of the cross keys and the lion. The cross keys commonly refers to the gates of heaven. Neither the shopping centre nor the forthcoming 'co-living' development struck me as being particularly 'heavenly'. In heraldry, the Lion symbolises strength, courage and nobility. I couldn't make any connection to that other than maybe the brute strength of the concrete used in the construction of the building.

Psychogeography, Hereward The Wake, Brutalist

Moving on, I reached the grease cafe on the corner which sits underneath the large brown Northminster multistory car park next to the market. I had never ventured into the car park and considered going up to the top floor for a look round and to check out the view. But the notice near the (closed) toilets underneath confirmed this was no longer possible and I'd missed my chance. The car park was closed in July due to 'safety fears'. Structural engineers have recommended either that significant investment is needed to repair the buiding or it is demolished. Some, including the Peterborough Civic Society, are suspicious of a hidden agenda. Rumours have circulated that the council already has a deal agreed for development of the car park and the market.  A glance at LP47 in the Local Plan does little to quash these rumours with it's references to the 'Northminster Opportunity Area', 'mixed use development', Student Flats, possible relocation of the market and a reduction in the number of vehicles in the area. Anyone who has still to retrieve their car from the car park would probably be best advised to call the number below sooner rather than later.


Friday, 23 August 2019

Mousehold Heath Confusion

The original plan to walk between two WB Sebald exhibitions, from the Castle Museum out to the UEA, was abandoned. Emerging from the Museum, fresh afterimages were imprinted on my mind. Grainy scenes of Orford Ness and Sizewell sat alongside grim reminders of World War 2 concentration camps and colonial brutality. These were superimposed onto a liminal vision of the rural Suffolk coastal zone with its vast swathes of deserted beach and countryside peppered with strange wonders such as The Sailors Reading room and Somerleyton Hall. Into the mix flew the taxidermy seabirds in the Museum's natural history section. Not part of the Sebald exhibition but merging  into the images left by it they didn't seem out of place. In particular the absurdly grotesque large pelican, apparently shot by the Prince of Wales in 1802. I could imagine it instigating a Sebaldian diversion into an arcane and possibly fabricated tale of the Royal family. Pelican shooting as a relief from the day job of ruthless colonial surpression at the turn of the (19th) century.

It felt like a visit to the second exhibition might be a bit much to take in. The first needed to be properly digested. Instead we decided to drift to Mousehold Health, just North of the centre of Norwich. It was a place I knew little of, my expectations formed by a brief appearance on ITV Regional Television news and on a programme where Dr Alice Roberts visited the heath while discussing historic Norwich. It would be good to get to higher, more spacious ground and observe the city  from what I imagined to be a deserted grassy mound.

The heath is bifurcated by a road, which was the route we took. An earlier attempt to follow a path through a wood accessed via a promising looking gate, that looked like it would allow us to shadow the road unseen, was abandoned after it ended at a BMX/Skatepark. The road, trees either side, was a fast one and peppered with speeding cars and vans passing at irregular intervals. This slightly monotonous scene eventually opened out to one side. An ice cream van and a map board were signs that we had arrived at an entrance into the heath. Also in sight was what I took to be the pavillion shown on the map, a platform featuring a hexagonal or octagonal pointed roof, which is something I've always associated with the word 'pavillion'. The seemingly random piece of victoriana seemed to placed Tardis-like, as if providing a portal between the now and an imagined past.

Based on the presence of the 'Pavillion', we headed into the woods on the left hand side of the road, since the map had indicated the clearing Regional Television had planted in my imagination was somewhere just beyond it. The map also indicated several abandoned towers from an abandoned  brickworks at various intervals in the woods, adding intrigue.

The path/track we followed through the woods suddenly veered left and we found ourselves on a concrete path overgrown with brambles and budlia. On one side there was an apparently abandoned windowless building, part brick, part corrugated iron. It lurked behind a thicket if brambles. The broken warning sign hanging off the gate featured a simple exclamation mark on a yellow background. What it warned of remained ambiguous.

Mousehold Heath, Norwich, Psychogeography, Sebald

Opposite the building was a playing field, the other side of which stretched a long wall in front of a building which we took to be Norwich Prison. At the abandoned building, playing field/prison nexus it felt like we had shifted suddenly from an unremarkable but pleasant wood into a sinister peripheral zone. Our sense of direction, which we had previously felt certain of, became disoriented. The map board we had relied on to point the way suddenly made no sense. Checking Google maps, it seemed impossible the clearing could be this side of the road.

The concrete path went not much further before a dead end of brambles marked it's it's conclusion. Still disoriented and keen to extract ourselves from this zone, we retraced our steps and crossed the road.  On the other side was a diner, located in what looked like a former pub or house. Signs pointed to it indicating toilet facilities were also available. Up close there was no sign of a toilet block and the building appeared closed. The silence as I approached was uncanny. But upon opening the door I was greeted with the site of families gorging on burgers to a soundtrack of 'La Bamba' style Latin music. I closed the door again and the silence resumed.

Eventually we did reach a clearing on higher ground, covered in ferns and gorse, and heavily populated by dragon flies. It was as if we had crossed a line into the Jurrasic period. The clearing didn't look and feel like the one I had in mind. We sat on a lone memorial bench and had lunch. Upon checking Google maps again it suddenly became clear. The diner was the Pavillion, while what we had taken to be a Pavillion was a bandstand.  The diner lacked a 'pavillion-esque' roof or other features so had thrown us off the scent. It more resembled something from an American horror film, a creepy house in the woods. Things suddenly made sense. The confusion disappeared and the weird atmosphere with it. Soon after we left the Heath and headed back to lower ground via a long path hugging an allotment, which allowed a view of Norwich similar to the one expected but unseen from the Heath. A city whose outskirts required further investigation. But not today.



Saturday, 10 August 2019

Liminal lunchtime

Lunchtime walks had  yet again been on a bit of a hiatus. The overbearing heat of a globally warmed summer and work and non-work based busy-ness being the main barriers to ability and motivation to get out there. The malaise brought on by both factors had impeded any will to write about any of the sporadic walks I had done in this period. Edited highlights will be forthcoming once (if) these prohibitive factors subside sufficiently for any length of time.

Last week I did get out for a 30 minute(ish) drift. After aimlessly heading up Eastfield Road I unconsciously took a right turn into Dickens Road. Past the Salem Chapel, the locus of my first Peterborough post, then onwards into a zone made up of a Rec/School Field on one side and on the  other a strip of green which is apparently  vunerable to fly-tipping, it's trees and bushes obscuring the sight and sound of the Parkway just beyond. The zone is bifurcated by 'The Airfield' cycle path which is part of a network of cycle paths shadowing the various Parkways, weaving under them at various intervals via Clockwork Orange-esque underpasses.

The transition into this zone was marked by a dilapidated house featuring a makeshift sign bearing the legend 'Site Keep Clear'. I wasn't sure which sort of site the sign was supposed to indicate. A building site, where work was ongoing to make the house inhabitable again at some future point. Or just a 'bloody site' as my mum used to say when referring to any sort of shambolic mess beyond immediate hope of being sorted out. That the facade of the house appeared unchanged since my first memory of it over a year ago indicates the latter.


The fly-tipping prone zone is also apparently a location subject to public outbreaks of drinking. A sign warned that I had entered a 'designated public place' which meant risking arrest and a £500 fine on refusal to surrender booze to the law when asked.  There were no imbibers present as I passed. Maybe the sign was effective. Or maybe it was just less hassle to go to one of Peterborough's Wetherspoons, which are in their own way 'designated public spaces' for the disaffected daytime drinker.  I considered whether there was a difference between a 'designated public spaces' and a plain 'public space' other than the threat of being fined a monkey for drinking in one and not the other. I couldn't think of one.


Emerging from a bush behind the sign was an impressive array of deposited rubbish. Too much to be the product of discarded items thrown from car windows on the Parkway.  I don't recall seeing a no fly-tipping sign. Presumably rubbish is considered less of a threat than booze on the scale of public menace in the zone.

I passed the Mellows Road underpass with its impressive graffiti and lure into the opposite liminal fly-tipping zone the other side of the Parkway. I resisted the urge and kept going forward.



Soon after, having followed the curve of the Airfileld Cycleway, the route passing under another underpass. I didn't record the name of this one and the memory of it has since faded. At the 'mouth', three posts which were all appeared to belong to separate eras resembled inadequate static guards. The white painted rectangle on the floor between two of them was ambiguous. The legend 'NCS' stenciled onto the concrete above at first glance seemed official, like a construction company logo. But closer examination indicated it was something to do with football.


Within the underpass, I was engulfed in a profusion of incoherent graffiti tags, slogans and symbols. 'Just say neigh' seemed a particularly odd thing for a tagger to write.  The ambiguous message possibly something to do with a pro-horseriding oppressed minority campaigning for the right to share the cycleway. Or maybe a jibe from a visiting Yorkshireman.


I emerged out the other side near a MacDonalds set on the edge of the Eastfields Induatrial area. I could see a communications mast rising in front of me to the left located somewhere deep in the maze of industrial units and warehouses. The same one I had noticed from my office window numerous times. I had tried to walk to it before and failed to reach its base in the labyrinth of roads.  This time I headed up the main drag (if such a thing exists in an industrial estate). Soon, directly ahead I could see the towers of Peterborough power station. This edifice was another site visible in the distance from my office window. That bit too far to reach in a lunch time. This was the closest I'd got. The road was partially blocked by roadworks, lorries and white vans. A silent checkpoint Charlie. I had the irrational feeling I would be challenged if I carried on, and felt like I didn't have the right paperwork. I had no business here and I probably couldn't speak the lingo. This 'barrier' appeared as if to remind me it was time to go back if I was to get back to work on time.


As I paused before retracing my steps back to the underpass I looked left at the communications tower. There was no obvious way to get nearer from this point either. It remained tantalisingly close but elusive.


Just before leaving the industrial estate, I noticed the roof of the Pizza Hut rising above the petrol station, in the cluster of 'servces' that include the previously mentioned MacDonalds. Catching it out of the corner of my eye I mistook the roof as being thatched. For a brief second it resembled a giant hut-like village hall from an earlier age. Then the brown brick and glass reality of the building coalesced. The cluster of services was typical of those found in this type of liminal environment having marginalised greasy spoons, makeshift cafes and burger vans that once would have prospered in such places.

I had found a grease cafe on Google maps  located somewhere near the communications mast in a similarly obscure location that I doubted would be easy to find. Two pictures that came with the map location and address. One featured a small industrial unit with its shutters down. The second was inside where a man with his back to the camera was in the kitchen, flipping eggs and looking not unlike Phil Mitchel from EastEnders. I also noticed a burger van not far from the main drag. It was good to know old school eateries still survived on the margins of their more corporate and bland nemisi.


On the return journey the lure of Mellows Road underpass this time pulled me in. The profusion of graffiti/street art was of a different league here. No reference to football. Instead a bloodshot eyed weed smoking Homer Simpson and the tag 'Talos' were two things that lingered in my mind upon departure. An image came to mind of the Bronze giant of Greek myth relegated to spend all enternity in a piss-soaked underpass with a dim-witted middle aged cartoon man.



The 'road sign' had been customised to feature yin/yan symbols, which coupled with the word 'mellow' suggested a  mystical element to whatever proceedings had been taking pace here with Talos and Homer Simpson.

Psychogeography, Peterborough, Mellows Road Subway, Underpass, Liminal

I followed the footpath through the greenspace which was parallel to the Airfield Cycleway zone, except this time with the addition of Peterborough indoor bowls club behind a perimeter fence on the left. I emerged on Star Road and shortly afterwards re-encountered another locus of an early Peterborough lunchtime walk. The ex-church building, featuring memorial bricks with carved names of various apparently once important people, again drew me in. I re-read the inscriptions and noticed some i'd not seen (or forgotten) when I was last here. I lingered for a while, pondering  why 'J S Anderson for Deeping St James' or 'Mr T Farrow for Thornley' might be important or whether the places named on the various bricks might have some significant pycho-geographical connection. The last 'brick' I noticed, emerging from behind some ivy, was 'Mr J Alley for New Road'. New Road' being close to my office, I took this as a direction to go back to work. My time was up.




Wednesday, 24 July 2019

Bridge Closure: Bleak Interregnum on Mill Road

At the time of writing,  Mill Road bridge has been closed to traffic for a couple of weeks, due improvement works for the railway below it and to facilitate the Chisholm Trail bikeway. In the run up to the closure there seemed to be lots of excitement being touted on social media of the possibilities the situation might bring. The lack of through traffic along Mill Road would mean an almost car free environment which would present opportunities for alternative uses. Street parties, markets, music, 'parklets'* and just generally walking about without worrying about getting run over.  This spirit of opportunity had echoes of the Reclaim the Streets party that occupied Mill Road Bridge on a Saturday in September  1996. Sort of. On this occasion the Bridge was closed and inaccessible, other than a narrow footpath corralling pedestrians across, and this was to be shut off some of the time. This time it was the stretches of road each side of the bridge that would be free space.  The spirit was a bit more 'polite and establishment' than 'chaotic rave with police confrontation', the 'Mill Road Summer' promotion being led by local councillors and associates who are co-ordinating and promoting events during this near traffic-less interregnum.

Things haven't really panned out as as promised, at least not that I've noticed. In a rare display of co-ordination with the people doing the work on the bridge, the Gas Board (or whatever they call themselves now) dug up a considerable portion of road to do maintenance of some kind, starting at the bottom of the bridge and stretching along the opposite side of the road from the Broadway before stopping across the road from the Co-op. So far I've witnessed the odd display of busking and hula-hooping along the street but it seemed decidedly underwhelming, possibly due to the intervention on the Gas Board and it's holes, traffic lights, diggers and hi-vis clad contingent of workmen dominating the scene.

The atmosphere has been one of slight desolation, exacerbated by the humid hot weather and additional dust from the road works. People have been marching continuously across the bridge between Petersfield and Romsey, like a stream of the disaffected. Others cycle even more randomly than usual in the road, either no handed or glued to phones.  Occasional arsehole drivers with car stereos blaring, taking advantage of the reduced (but by no means abscent) traffic to reach speeds not  possible under normal conditions, like aspiring  Donald Campbell's with a bad musical accompaniment. Others park just as randomly as normal on yellow lines, blocking half the pavement.

While a bit disappointing, the situation seemed tolerable from a personal point of view and had the air of the temporary. A brief vision of a possible future where the Mill Road resembled a place on the periphery of a post apocalyptic Britain, with surviving middle class coffee joints,  kebab cafes and various other places where eating and drinking on the street continued pretty much as before. But news from The Mill Road trading association warned that the majority of their members were experiencing a fall in takings if up to 60 percent and some businesses were threatened, which was worrying.

Things took a turn for the worse about this time last week. The night of a partial lunar eclipse was also the night of signficant disaster as a fire engulfed H. Gee. Gees, for anyone not from these parts, is an institution. The shop has existed since the 1940s selling all manor of electrical items. An Aladdin's cave for radio hams and people who know how to make electric circuit boards, as well as the less technical who just want a lightbulbs or blank tapes. Going inside the shop was like stepping through a portal to another world.  A small standing space in which you were surrounded by a chaotic maelstrom of infinate stuff, dust and cobwebs. A place in which time had moved at a much slower pace and in a slightly different direction to the outside world. It felt like there couldn't have been an era when it didn't or wouldn't exist.

It looks certain that H Gee will not rise from the ashes. What is left of the building is almost  certainly structurally unsound. 'Mr Gee', not a young man, has been unwell and the shop has been temporarily closed for some weeks. The fire putting an end to H Gee feels akin to an earthquake altering a long standing stable geomorphology beyond all recognition. The shop belongs to part of a series of buidings that have an air of ancientness and familiarity, as if they were formed from just beneath the earth's surface over thousands of years.

I was out of town when happened but read the reports on social media. The Cambridge News was more concerned with 'traffic chaos' than the lives of those affected by the fire.  Other outlets were more sympathetic and informative. Thankfully no-one was hurt, but people living in the flats above face uncertain future, including a good friend of mine. Fabios Tattoo studio and optometrists, either side of H Gee, are closed, for an indefinite period.

I took a stroll along the road from the Co-op the next morning to survey the scene. Drifting along the road just as I got there was the stark apparition known locally as 'Dead John'. A man who dresses in the manner of a very aging goth and who I've never heard speak. A slightly sinister figure, often spotted in the more central regions of the city with his cane, big boots and top hat, but almost never in Mill Road. An ominous sign.

Psychogeography, Cambridge, Gentrification, Mill Road

As I passed the Broadway opposite, I re-noticed the ABC Barbecue, another long standing Mill Road emporium. It's not been there as long as H Gee but it existed when I was small. The chickens on spits in the window still miraculously turn, despite the arrival a few years ago of the more upmarket (but inferior in my book) Sea Tree next door. The ABC stands as another portal to a previous Mill Road. I recalled something called 'The Amusement Cafe' being next door, in the 80s. I never got to go inside. Nobody I know seems to remember this being there. Whenever I mention it the reaction is the same blank and slightly worried look people give when recalling an obscure children's TV programme that nobody else can recall ever existing.

Crossing the bridge, the atmosphere was subdued. Oddly, I bumped into at least three people I knew but rarely saw within the couple of minutes it took to get across. It was a midweek lunchtime and more deserted than normal so these encounters seemed particularly unusual. Among the paraphernalia of the works a sign reasurred us that Mr Safety was there to prevent any sort of disaster, but he had failed miserably. The Earl of Beaconsfield looked on in disdain.



Cambridge, Pub, Mill Road, Psychogeography

Arriving on the other side I was confronted by the cordoned off buildings, the shell of H Gee in the centre.  A burnt stench permeated the air. The building looked almost certainly beyond repair and the re-appearence of 'Mr Gee' very unlikely. Another fire in some nearby flats on the Bridge had displaced another much loved character of Mill Road only a couple of months ago. The disappearance of these people and their type seems in keeping with a creeping gentrification that has been going on for years along the street with a certain type of middle class-ness now firmly embedded as the dominant force. The hipster-types of the previous few years being replaced by, or turning into, young families with cargo bikes.

H Gee, Mill Road, Cambridge, Psychogeography, Fire, Dilaidated

Back across the bridge I paused at the 'Romsey R'. A fairly recent addition to the streetscape, being a statue of a giant letter R with names of destinations and departure points important in the lives of local people. I don't recall being asked for my contribution but I probably wasn't paying attention at the time. It is meant to commemorate the railway heritage of the Romsey area and the letter is based on a rubbing of a letter from one of the victorian street signs nearby.  To me the sculpture symbolises a sort of anachronism. While it 'celebrates' the railway age which is the reason the terraced streets of Romsey exist, it also seems to be a symptom of the particular sort of gentrification seen in the area in which the past is both celebrated and replaced with something different. The terraced houses once occupied by railway workers and their families with the area was known as Red Romsey, due to the working class heavily unionised population that dominated the area. It's unlikely that the workmen on the Bridge would be able to afford to live and bring up a family in one of these houses now, without a substantial lottery win. It's unlikely that any shop units becoming vacant due to lack of takings will be replaced by an ABC Barbecue, H Gee or Curry Queen or anything else resembling any other old staple of Mill Road.

The R also occupies a site where previously an inconspicuous bench provided a place for a small inconspicuous group of people who used the place as a quiet social gathering point, to drink and chat. They seem to have disappeared with its arrival, although a bench is still there. The sculpture is not quite as welcoming as a 'Soviet Bus Stop' style shelter might have been for such convivial activities.

The Romsey R has emerged in a period where the Romsey Labour Club building has been subject to two planning applications, one for student flats which was initially passed but the decision reversed in order to comply with 'The Cambridge Local Plan'. The second, for serviced apartments , was passed 5-4, the casting vote going to the chair. A perplexing decision, not least because the City council is Labour controlled, as is it's planning committee.  The volunteers that built the club, including my Great Grandad, must be turning in their graves. Ironically just across the road the Salisbury Club (the Conservative equivalent of similar vintage) still survives. Surely this has to be on the Developer's hit list for future applications. I finished my walk at the Labour Club building. A pity it wasn't still functioning to provide cheap beer and cheese and onion sandwiches during these irregular times on the street. Within its crumbling and plant festooned facade lurked the ghosts of it's Red Romsey past, soon to be buried beneath another computer generated clone development owned and to be occupied by people that have no regard for the previous or current communities. A sorry site indeed.

Social Club, Labour, Gentrification, Mill Road

*A parklet is a concept first tried out in San Francisco and involves car parking space or two in a street being reclaimed for pedestrians, by turning them into a mini public space with seats and sometimes plants for people to sit in, relax and enjoy  The Mill Road parklet (so far there is only one) appeared the weekend after the Gees fire in a space normally occupied by double yellow lines. Designed to last the duration of the bridge closure, it was assembled out of chipboard and pallets outside a cafe and deli/cafe, looking very much like an extension of the spaces already occupied on the  pavement by those establishments and protected by similar barriers used earlier in the week by the Gas Board.  It's too early to say wether this prototype of possible future Mill Road parklets will/can be used as a neutral space where, say, the people who used were ursurped by the Romsey R could mix with the wider community and share a tin of Super-Bock from the shop up the road. Let's hope so. I'll watch those spaces...













Wednesday, 5 June 2019

It was all at the Co-op now!: A hauntology of the Cambridge Co-op.

Adkins Corner is named after a food shop that once occupied the brown corner building at one end of Perne Road in Cambridge. This manifestation was before my time. It pre-dated the building's later  Budgens/Co-op dual occupation. In my mind Adkins exists as proto-supermarket in black and white. A provisional Co-op.

The site has long since been vacated by the Co-op. More recently Budgens has closed along with the remaining shops and offices that had occupied the building. I think there may have been flats on the top floor. News of imminent development of the site sparked the urge to have a look before the development got underway, while the  60s/70s brown corner building atmosphere still existed .

The Co-op and Budgens co-existed next to each other on Adkins Corner while I was growing up. At the time it seemed they had been there forever. My Dad worked at this Co-op when I was small. As I stood and looked across at the site from a vantage point over the road, the 'corner' emanated ghosts of 1970s Co-op. The big cardboard Golden Wonder Crisps mobiles that hung from the ceiling, the (recently revived) blue Co-op logo and old ladies with nanna hair talking of their 'divi'. In our front room, the adverts with their musical sloganing of 'Your Sharing Caring Co-op' or 'It's all at the Co-op now' beamed from the wooden television in the corner, while my Dad counted endless books of blue Co-op stamps on the dining room table and did his 'bookwork'.

As these images drifted through my mind, I saw that had got there too late to see the building in its original (recently dilapidated) state. Work had started and the brown exterior was now white. Possibly clad in something, maybe painted, I coundn't tell. The windows on the first and second floor were now modern, not crittal style. Construction was going on round the back. But the building was at still there and was being renovated rather than demolished to make way for the type of beige/glass  development I'd assumed would replace it.

Psychogeography, Hauntilogy, Co-op, Cambridge

I had heard rumours that  part of the ground floor would once again be occupied by a Co-op. The rumours were later confirmed, which was nothing of a surprise. In recent years the Co-op has had something of a resurgence in Cambridge, which seems to have coincided with the reinstating of the 70s Co-op logo and a surge in developments mixing flats and ground floor shops, particularly student accomodation. Several new Co-ops have opened as a result. The re-taking of Adkins Corner the latest move in a turf war with Sainsbury's Local and Tesco Express in which the Co-op is currently the dominant player. Budgens, meanwhile, appears to have given up the ghost.

Cambridge, Co-op, Psychogeography, Hauntology
The revived Co-op logo, with added barcode.

I couldn't work out how to get round the back, where the added development is taking place (residential, possibly beige and unaffordable but I've not seen the details). I hung around the 'Corner for a bit. Apart from memories of helping my Dad move boxes of toilet roll in the warehouse when I was about seven years old, the site had deeper reverberations. My Mum also worked for the Co-op, firstly at Mill Road. She met my Dad when she worked briefly at Perne Road. I'm a product of the Cambridge Co-op and Adkins Corner is the earliest physical manifestation of my beginnings.

Growing up, the spectre of the Co-op was never far away. My Dad managed various Co-ops, including  in Cherry Hinton, a place currently lacking one. My mum worked at the Beehive, which was a large Co-op supermarket on the same site as the dairy and the head office. The dairy was only rivalled by Unigate in town. Both sets of milk floats could be seen every morning by those with a propensity to be up early enough. They were parallel to the Ice Cream vans (Walls and Lyons Maid) that came at the other end of the day.  But while the ice cream vans announced their arrival with  unsettling Picture Box theme-like musical accompaniments, the milk floats emitted a subtle low level hum.  Later Home Interiors and Exteriors as well as a garden centre were added to the Beehive Centre making it a sort of proto-retail warehouse development. The various parts all had their own plastic bag design, featuring a white Beehive symbol on a different coloured background. The supermarket orange, interiors brown and garden centre green. The designs were of their time and wouldn't look out of place on Ghost Box record covers.

The Beehive centre was later sold and became a proper retail warehouse development with an Asda flanked by other outlets usually found in these places. A thoroughly depressing area to spend a Saturday afternoon in, but people do, in droves. The Co-op's flagship department store in Burleigh Street closed (now Primark) and  it was last orders at the Co-op Club around this time too. The latter a place of Double Diamond, 'dos', darts, pool and snooker for the staff. The gaffer a sweaty middle aged man with greased back hair who appeared to be permanently pissed. Snooker was played in a creaky room above the mortuary of the Co-op funeral service underneath. These three closures marked a decline in the significance of the Cambridge Co-op.

During this period of retreat, the Co-op abandoned the old logo and changed colour from blue to green.  Somewhat eerily, the telephone box cash machine I encountered standing on Adkins Corner was decorated in a very similar colour scheme, like an artefact belonging to the Co-ops 'green  interregnum'.  A reminder of the period when Co-op shops became places with piped music, more homogenised and reduced product choice, convenience food, tat magazines and later opening hours. My Dad took early retirement soon after this happened. The dalek-like cash machine, with its silver and day glow green covering contrasting with the grey sky,  looked like something beamed in from a motorway service station or out of town shopping development. The very places that contributed to the decline of the sort of town centre shopping the Co-op had offered. An object of sinister liminal dystopianism imposing itself among 1930s pebble-dash of Perne Road.


Psychogeography, Cambridge, Adkins Corner, Hauntology, Co-op

By contrast, a lush green segment of space sits a few feet away with a green telecoms box at it's centre. I'd never really notced this properly before. The apparent randomness of the presence of ths green oasis between main and side road gave it the aura of a portal to a wider liminal green realm. Coldhams Common perhaps.

Adkins Corner, Green Space, Liminal, Psychogeography, Cambridge

Taking a closer look at the Adkins Corner building I noticed the railing along the first floor balcony had been allowed to remain, while the first and second floors were otherwise altered in appearance almost beyond recognition. This concession to the past heightened the sense of the presence of earlier incarnations of the building lurking in the background, hidden behind the new white facade.

Adkins Corner, Psychogeography, Cambridge, Hauntology, Co-op

I headed up Perne Road. At the next next roundabout is one of the recent Co-ops. One of a small but growing wave to appear in Cambridge following the reintroduction of the old logo. It occupies the ground floor of a new building which replaced it's dilapidated brown predecessor on what is/was known as Pernella's Corner. This was a bit like smaller version of  Adkins Corner.  The original building had housed a newsagent, a hairdressers and the small supermarket/post office (Pernella's) with flats on the first floor, before falling into disrepair and remaining seemingly abandoned for a number of years. This corner provided walking distance services for people in the surrounding area of 1930s pebble dash and post war concrete houses. The included my nanna and grandad (concrete, not pebble dash).  I have vague memories of my grandad taking me to Pernella's in his car despite the proximity of his house 10 minutes walk away. This was an era where people drove somewhere within easy walking distance and then complained when there was nowhere to park. An era that many people still live in.

Pernella's, Cambridge, Co-op, Cambridge, Psychogeography

The current building is a mixture of brown brick (or brick-like cladding at least) superficially similar to that of the one it replaced, combined with the contemporary vogue for excessive glass and matt grey metal-like framing. The old/new blue Co-op logo is prominent, like an apparition from an earlier age thrust forward to the present. The shop inside, like all the others, is more contemporary than the retro symbolism might suggest: self service tills, piped music courtesy of Co-op radio, a heavy bias on ready meals and convenience foods along with fruit and veg wrapped in excessive plastic.

I drifted away from Pernella's corner, heading along the next stretch of 1930s pebble dash semis along Perne Road which was broken only by a handful of side streets and a scout hut, before heading up Mill Road towards home. On the way I passed a Co-op Funeral Services 'shop'. The revamped logo was displayed, this time in black and white. Plastic bags are probably not available in a monochrome version. A bag for death? Maybe not...



Further up I arrived at the Mill Road Co-op where my mum had worked, in a black and white age that pre-dated me. Outside a board advertised a plastic looking hotdog, resembling something transported from the adverts shown Regal cinema circa 1978 to show the wares available in the foyer.  It felt like the barrier between the present and the past(s) was as thin here as it had at Adkins Corner.



The Mill Road Co-op and it's 70s style hotdog board marked the end of my drift. I ruminated on the Co-op retro brand. It marked the announcement that the divi would be brought back when the group is in profit. Meanwile, the members card allows the accumulation of reward that can be set off against future purchases. The branding suggests a uniform organisation but The Co-op Group is still made up of a number of different Co-ops across the UK. I was reminded of this in Norwich recently, when told by the man serving me that I needed a green card, the blue one wasn't valid there. I don't know the geography of the different Co-op groups or how many different coloured cards there are but imagine the zoning resembles something like that of ITV regional television in the 70s. The Co-op has a long history of being community focused and owned by its members (the shoppers), an aspect that the organisation is still keen to emphasize.

The old reintroduced elements mixed with the contempoary have produced something that superficially harks back to the best aspects of an earlier age while simultaneously embracing most of of the dystopianism of modern shopping: the bar codes, the piped music, reward cards and plastic wrapped vegetables along with a homogenaity of layout and product choice rigidly being applied to all shops. The human element personified by self-service tills where you do someone elses job for free and they are rendered of no further use. As I the left the scene it seemed to me that revived Co-op symbolism is hauntological: a vision of a better future that has never quite materialised.






Tuesday, 19 March 2019

Realm of the Peripheral Beings

I was drawn along the path down the back-side of Asda, past the Beehive Pub. The pub sign depicted a smiling woman with a beehive (actual, not hairdo) on her head, reminiscent of a mythical being. Her visage was slightly unworldly and enigmatic.

I reached the river soon after, emerging opposite the impressive green iron railway bridge and across the river from a terminal Pylon jutting out from behind the trees that only partially hid the patch inner city liminality beyond. An area usually devoid of activity other than the barely audible hum of the electricity sub station or the scuttling of a rat under a refuse bin, but currently operating as a temporary fairground.

Peterborough, Psychogeography, Liminal, River

After observing the scene for a short while I decided to double back. As I did so, glancing down I noticed unusual 'footprints' set into the tarmac. One looked freakishly large, the others freakishly shaped. I imagined what sort of being might be responsible. A deformed Black Shuck maybe. Or some mysterious creature from across the river. A liminal beast rarely seen by human eyes.


I left the scene and followed part of the depressingly named 'Workhouse' cycle route along a stretch between another back-side of Asda and some riverside flats. Following the encounter with Beehive Woman and the footprints of the Liminal Beast my walk had developed a different atmosphere and pace. Before I had been walking swiftly, thinking about lunch and getting back to work. Such trivialities had slipped away as if I'd shifted into a slightly different dimension. Things were slower, calmer and weirder.

Emerging from Rivergate Arcade, I was drawn along Bridge Street and sucked into the main drag leading to the centre. Just beyond the pelican crossing, a man, probably in his 60s,  hunched in a mobility scooter with a sound system attached on a trailer. Out of this pumped loud reggae. The man, sporting a policeman's cap, glasses and stubble, resembled a crumpled and more rough around the edges Blakey from On the Buses. As I passed, a jobsworth shop manager emerged from one of the retail outlets lining the street. 'Reggae Blakey' grudgingly turned down the volume, which was probably loud enough to be drowning out whatever 'musack' the shop was broadcasting inside in an attempt to soften the brains of potential customers. The shop manager was polite and non-agressive. But his rebuke of the man felt like an attack on eccentricity and the imposition of the bland at the expense of the interesting.

As I continued next I passed two buskers, an older man and a girl who may have been his daughter, playing a sort of 60s American hippie folk sound. This complemented the already off-kilter atmosphere of my slow drift.

Near the end of the stretch sitting among the  anonymous faces of resting shoppers was a clown. Full make up, red curly wig, clown clothes. Slightly frayed at the edges: fag on the go, sad resigned face. Like redundant Ronald MacDonald. I'd seen him before. Always sitting and smoking. Never performing.

I headed back to work leaving behind the realm of the Beehive Woman, The Liminal Beast, Reggae Blakey and The Clown. The Realm of the peripheral beings.






Thursday, 14 March 2019

Letchworth Garden City: Prisoner of London

In Letchworth, The First Garden City, I found myself at a crossroads. I'd walked a short stretch along the supposedly ancient and prehistoric route of The Icknield way before arriving at the intersection with Norton Road. A point where two different psychogeographies crossed paths.

The Icknield Way is the territory of archaeologists, earth mystery types, ramblers and 'nature writers'. It is said to be one of four ancient trading routes across England, the others being  Watling Street, Ermine Street and Fosse Way.  The notable published guide being that of Edward Thomas, whose steps Robert Macfarlane retraced in 'The Old Ways'.  

Norton, the prisoner of London, is the avatar of Iain Sinclair. Sinclair has attempted to escape London, at least to stop writing about it. The Last Of London marked a sort of winding up, liquidation or retirement. Coincidentally, the British Motorcycle Manufacturer Norton was reported as going into administration the morning I set off for Letchworth. Sinclair, though, will always be associated with London and his spectre will never leave. Even if in Hastings or elsewhere (probably not Letchworth) he  will remain the the Prisoner of London.

The intersection of these rural (Macfarlane) and urban (Sinclair) forms is pertinent. Letchworth was (is) the First Garden City. The first realisation of the vision of Ebeneezer Howard and his Garden City movement, which attempted to create a Utopian settlement combining the best if both worlds where people could live and work.

Letchworth had something of the atmosphere of places like Silver Village, which shared similar self contained Utopian values. All that was required for living: jobs, housing, leisure and municipal facilities  were provided in a tranquil setting independent from the outside.

But at a human level, the place felt more like a suburb.  A distorted Metroland. Their were few people around at nine in the morning. Those occupying an otherwise modern, faux hipster coffee establishment were mainly retirees, discussing Alan Brazil on Sky Sports. Most of the working population appeared to have shipped out to London for the day. I had encountered a crowd of them earlier, trying to burst through the train doors as I alighted and struggled to squeeze through against the tide. An updated scene from Dawn of the Dead . Smart phone zombies with blue faces caused by the reflective glow of their mobile devices. They are transported to the City for the day (every day) to return to a semi-dormitory town to eat and sleep. A semi-dormant place. The original vision of Howard had been disrupted at some point along the way by London, sucking the life out of it.

On my way back to the Rail Station I was a bit disappointed, but by that stage not surprised, to find The Garden City Brewery along with several cafes and shops closed until later in the week (it was Tuesday). While it's physical form has been preserved by heritage bureaucrats, Letchworth has become an outpost dormitory on the outer orbit of the Home Counties commuter belt. The town itself  and it's mobile device  fixated zombie 'dormers' are, like Norton, prisoners of London.

Letchworth, Psychogeography, Iain Sinclair, Robert Macfarlane, Ebeneezer Howard

Thursday, 7 March 2019

The Walker of 'The Worst'.

Recently, Peterborough won the dubious accolade of  'worst place to live' in the UK, as voted for by readers of the website 'Ilivehere.co.uk'. Thus the city beat Huddersfield and Rochdale (2nd and 3rd place respectively) to be named most 'crap town' in Britain. The news quickly spread and was replicated in The Cambridge News, The Sun and The Daily Mail. Lazy list journalism with pop up ads.

The concept of 'crap towns' was brought to the fore a few years ago in the publication 'The Idler', along with 'crap jobs'. Books followed on both, handily sized for the toilet library. Around the same time I remember borrowing a book from the official library, title and author long forgotten, in which the protagonist visited various provincial towns and gave them similar reviews to the sort found in 'Crap Towns' before returning to London and vowing never to visit the provinces again. On the back of the book was a cartoon of a map of the UK with a weatherman pointing his stick. The 'outlook' was steaming turds at various intervals, replacing the usual suns, clouds and occluded fronts.

'Ilivehere.co.uk' is, dare I say it, a more crap version of the original 'crap towns' stuff produced by The Idler. If you can bear to wade through the advert ridden pages and constant pop up requests to 'like' them on Facebook, you will find readers scathing reviews of towns and cities they have lived in or visited. The Idler and the forgotten crap map writer did it better. But there was always something a bit mocking patronising and smug about the concept.

'No Town is a crap town if you learn to look at it without faecally tinted spectacles', wrote Jonathan Meades. I think he's got a point. To the eye of the urban wanderer, or architectural observers like Meades or Nairn, all towns and cities have things worth 'noticing' and and have interesting things to offer, as well as things they would be better off without. Although, to be fair, Jonathan Meades and most urban wanderers are transitory and do not have to stay. For those stuck in the crappest circumstances the perspective is no doubt different. Crap circumstances - shit housing, lack of employment opportunities and poor amenities - exist in all towns and cities (and villages) to some degree, some just have less of them or are better at hiding them than others.

This brings me back to Peterborough. The city has been much maligned over the years. It can't be denied it has elements of the stereotypical crap town aplenty.  A profusion of chain stores in the centre  and particularly in the monolithic 1980s Queensgate Shopping Centre. Street drinkers congregate and argue at the abandoned statue plinth at the Rec before leaving behind offerings of crushed Superbock tins and fag ends. The intermittent (in the centre at least) cycle lanes/paths are ridden on badly by iffy looking blokes in hoods on crap mountain bikes. People don't smile much. But these phenomena are hardly unique to Peterborough.

In the early 80s there was an air of optimism surrounding Peterborough.  Designated a New Town in the late 1960s, the city  was still expanding. The Queensgate had just been opened, by Queen Beatrix of The Netherlands no less. The actor Roy Kinnear beamed cheerfully  into the camera whilst dressed as a Roman Soldier during a TV ad campaign promoting the city. And in 1984 sculptor Antony Gormley was commissioned by the Peterborough Development Corporation to produce a work entitled 'Places to Be'. The title seemingly reflecting a vision of the city as a place at the cutting edge, a city of the future where life would be exemplary.

Gormleys offering to the city consisted of three human figures. One has it's arms outstretched to the sky as if praising some unseen deity (Peterborough Development Council perhaps?). The second with its hand shielding the sun from its eyes gazes into the distance, possibly towards the future (or maybe these days towards a lost future of Newtown utopia). The third, and possibly the most interesting is a walker.

The optimistic visions of The Peterborough Development Corporation, Gormley and Roy Kinnear did not quite turn out as planned. Perhaps symbolic of this was the vandalism of Gormley's three figures in 2006 when they were sited in the City's Thorpe Meadow. They were subsequently relocated out of reach on top of three buildings in Cathedral Square.

Antony Gormley, Peterborough, Psychogeography, Places To Be

The Walker strides across the roof of Queensgate, free from the bustle inside. Heading toward and beyond the Cathedral. Maybe striding out of the city in disappointment that the Utopian New Town vision didn't quite come off and seeking to avoid further encounters with vandals. Or alternatively, a symbol of the possibilities of walking the city beyond the obvious, centrally and beyond to the outer reaches of the borders marked by the 'parkways' and cycle Green Ring. I hadn't been aware of The Walker until now, about a year after I became a commuter to Peterborough and vowed (and failed) to spend most of my lunchtimes exploring the area within  a thirty minute radius of work. I'd quickly lost momentum on the project. The sight the sculpture provided a renewed optimism. There were still things unexplored and to be 'noticed'. I needed to get back out there, making the most my limited workers lunchtime. Underneath the Walker I made a New Year's resolution to get back on track.  From this perspective Peterborough didn't seem such a crap town but one that requires deeper explorations.

Friday, 25 January 2019

From The Giant's Grave to 'The Land South of Coldhams Lane'.

I arrived at the crossroads coming from the direction of town. The village of Fulbourn lie straight ahead beyond the Big Tesco's and the old Victorian asylum. To the right was Queen Edith's Way, a reference to Edith Swan-neck, the hand fast wife of Harold II and landowner of the Manor of Hinton prior to the battle of Hastings. To the left, Cherry Hinton High Street, leading into the village I grew up in. I say village, it was was technically a suburb by then. But although it was being gradually engulfed into Cambridge it still felt a bit cut off. A little bit 'out of town'.


Cherry Hinton, village sign, heraldry, giants grave

I took the left turn, fancying a wander along the high street. The Cherry Hinton sign marking the entrance  to the 'village' dates from 1991, an attempt to reclaim a village-like feel at a time when 'Chinton' (as it is affectionately know by many) was expanding. The 'village' had been incorporated as part of Cambridge in the 1950s for administrative purposes, but managed to maintain the feel of somewhere a bit out on a limb and 'other' after officially becoming part of the City. The sign, which has a heraldic four panelled shield depicting things symbolic of Chinton, backed by a cherry tree, marks the crossing point into 'the village'. To my eyes it resembled a sort of masked foliate head with a Mrs Thatcher hairdo. This seemed fitting of a place that I associated with the 1970s era of children's television programmes more often than not hosted by folk-singing hippie types like Derek Griffith's and Toni Arthur, but also with the subsequent era of Two Tone music, unemployment and Thatcher selling off council houses. A retrospective marriage of the strange and the stark.

Giant's Grave, Cherry Hinton, Cambridge, Chalk Spring, Gog Magog

On the corner near the sign, the grass slopes down to The Giant's Grave. This is probably called after the folkloric giants Gog and Magog who also give their name to the chalk hills just beyond Cherry Hinton. An alternative explanation is the unusually tall skeletons unearthed from an Iron Age burial site on nearby Lime Kiln Hill.

At The Giant's Grave a spring rises where the chalk hills of Gog Magog end. The spring flows into a sort of large oval pond with an island in the middle, before flowing left and becoming the Cherry Hinton Brook. I followed the path around the pond, recalling that there was a bench the other side to sit on, hidden by the trees from the street above. A good spot to rest and take in the slightly 'other' atmosphere that exists here, particularly when devoid of other people. But the bench had been removed and the chance of respite denied. It was too damp to sit on the grass.


Giant's Grave, Cherry Hinton, Cambridge, Psychogeography, Chalk Spring

A fence running along the far side marks the boundary with a private partially overgrown green space, which I always assumed was an under-used garden belonging to a large house behind it. Clearly someone, or something, had decided that it was an affront that this piece of land was not available for use by the people of the Manor of Hinton and breached the fence, using some considerable force. Maybe the giants had risen from the grave in anger. Or maybe it was the work of giant reanimated  skeletons, click-clacking their way through the ripped fence in pursuit of their prey.  Like a scene from Jason and The Argonauts passing through the normally still environment. Though the blue plastic protective 'fingers' added to the spikes suggested more human and health and safety conscious intruders.

An alternative name given to the area around the spring is Robin Hood's Dip. In folklore, Robin Hood is the name given to a sprite associated with wells and springs. One explanation of this name is that it was used to frighten away children, to keep them away from the possibility of drowning.  It's also been suggested that the figures of Robin Hood and the Giant are really part of the same folk memory of an earlier deity revered at the spring.

Springs and holy wells are by some considered magical places. There is certainly something a bit off-kilter about the Giants Grave. Possibly explained by the layers of folk memory associated with it, or my own vague memories of it as a child (I was never frightened away by the sprite when I brought my home made action man boat here to play with). Or maybe simply  by the fact that such a space continues to be allowed to exist and is in stark contrast to the 'village' beyond it. If you can ignore the modern connotations of the traffic noise from overhead it feels like a place moving through time much slower that it's surroundings, where layers of history are thinner and the ancient origins of 'Chinton' are revealed.

At the point the brook heads away, starting it's journey towards The River Cam via The Snakey Path and Coldham's Common, a hideous and imposing modern block of flats has made an appearance. Between it and the brook there are some unusual stone/concrete or possibly wooden hemispheres resembling giant fungi. The purpose of these remains unclear an no doubt will be even less so to future visitors to the spring, who may assign some magical significance to them or might just observe how the objects would make cutting the grass that bit more awkward.

Giant's Grave, Cherry Hinton, Cambridge, Chalk Spring, Cherry Hinton Brook

Across the road from the Giant's Grave is the Robin Hood Pub, which used to be The Robin Hood and Little John. Locals aways just called it the Robin Hood so Little John, sensing he was not needed, presumably left the scene formally at some point. The pub is named thus I'm guessing because of  Robin Hood's Dip, but the pub's iconography has always referred to the Sherwood Forest dwelling archer Robin Hood rather than the water sprite version.

On the side of the pub is a semi-hexagonal protrusion which used to be the pub lounge. I remember it being more glass fronted when I was growing up offering views of the people drinking inside, sat in a semi-circle around the edges.  The glass has been replaced by a faux farrow and ball dull grey, which on a grey day gives a slightly sinister and depressing feel.

Robin Hood, pub, cherry hinton, Cambridge, Psychogeography

The current pub sign, which is an imposing edifice fronting the car park, shows Robin of Sherwood with his bow. It also has the ubiquitous Greene King motif, being under the control of East Anglia's dominant regional brewer and pub company. The Greene King iconography was found in all social clubs I was taken too as a child on beer mats, bottle tops and the metal trays used to transport a round from bar to table. At the time I didn't really know who or what the Greene King was, and thought of it/him as some sort of mythical medieval figure. The iconography has changed from something vaguely bizarre to a more corporate pub-model-number-nine style these days. Associated more with property capitalism and the ubiquitous Greene King IPA ('ditch' as one of my friends calls it)  than with the strange East Anglian figure of the Greene King, who appeared on metal ashtrays and lurked in the back of my imagination as child.

Robin Hood, Pub, Cambridge, Cherry Hinton, Pub sign

In the car park is an ancient looking stone with what looks like the impression of a large footprint sunk into it's centre. I've read various explanations for its origin or purpose: a glacial erratic, a Celtic 'kingship' stone used for the equivalent of crowning a king or for a good luck ritual by Roman soldiers before and after a long march. I've also read that water collecting in such stones has been thought to have healing properties. In modern Cherry Hinton, however, the current use of the stone is as a handy comestible for used fag ends, a couple of which drifted sluggishly around in the shallow water with the odd leaf as I stood and observed the stone for a couple of minutes. Presumably this rendered any healing properties the water might have had null and void.

Kingship Stone, Cherry Hinton, Cambridge, Glacial erratic, Robin Hood Car park

Away from the crossroads, the village's intersection with the landscape of the Gog Magog hills and the folk memories  contained within it are soon forgotten. Probably a minutes walk from the Giant's Grave I was confronted by a giant billboard advertising nothing other than a wirery white brick void. The building accommodating this used to be a Co-op, where my Dad was the manager. This was during  the era of my action man boat. There was a post office inside, which is still there, the shop bit now an Asian grocers. The white void billboard served as a sort of portal into the village proper. A less official but more authentic welcome to the current Cherry Hinton than the village sign passed earlier.


Just beyond this is one of the more welcome developments of recent times. The former Unicorn pub, which closed several years back, has been through various guises since. Now it's an Indian restaurant with a lunchtime buffet. Even so, it's  a pity and somewhat baffling that, once extracted from the hands of Greene King, the Unicorn wasn't reborn as an excellent free house, given the lack of decent pubs in the 'village'.

Indian Restaurant, The Unicorn, Cherry Hinton, Cambridge, Pub, Psychogeography

Next door, separated by a small road linking the High Street and Mill End Road, is the second and final still functioning pub in Cherry Hinton. The Red Lion is another Greene King establishment, completing their monopoly of the village hostelries. The current pub sign depicts a sort of red haired Aslan. This overlooks a row of four mini red lion statues crouching over the flower beds in a manner suggesting they are straining in order to enrich the soil. These mini red lions reminded me of the Red Lion Statue, formerly of Lion Yard, now encased in perspex at the University Rugby club. It's as if his offspring have escaped to the fringes of the city, away from the University and the gentrification found more towards the centre of town.

Cherry Hinton certainly feels like it has so far escaped any significant trappings of gentrifcation, despite the growth of the village towards Fulbourn in the last 25 years and it's edge of Cambridge location. Maybe the newer residents are less inclined towards craft beer, artisan bread and coffee shops than those moving into other parts of town. Or maybe the newer Chinton estates are lived in in the manner of dormitory towns, the residents never setting foot in the high street to avail themselves of its amenities.

That might help account for the decrease in the number of pubs at the same time as a population increase, while the level of other services in the high street has not grown to accommodate the new influx and in many respects less is on offer than it was quarter of a century ago. Apart from less pubs, there is no longer a butchers, greengrocers or cobblers. But there are now two Chinese takeaways, two Indian restaurants and 2 charity shops which were things previously lacking. Swings and roundabouts I suppose.

Red Lion, Pub, Cherry Hinton, Cambridge, Pub sign, Aslan

Red Lion Pub, Red Lion Statue, Cherry Hinton, Cambridge,

I speculated on this as I gazed into the large back garden of the Red Lion. The pub seems at least to have started having live music and in recent years has hosted events by local mod collective 'The Alley Club', the name of an original mod club in Cambridge in the '60s. Mods are something I first encountered in Cherry Hinton. During the mod revival of the early 80s, kids in parkas were often seen hanging around the chip shop on the high street or at the legendary British Legion Hall disco. Older ones had scooters. I was never a mod, and while now I can see the appeal, at the time I remember being a bit put out when my mates seemed to switch from Two-Tone to Mod. I stopped going to the British Legion disco, and instead, started listening to punk after renting 'The Great Rock and Roll Swindle' from Roger's Hardware, which housed Chinton's premier and only video library at the time.

In the Red Lion garden, like a ghost from my pre-teen 'youth',  was a board depicting Two-Tone iconography. The black and white 'rude boy' with the shades,  suit, loafers and hands in his pocket. The Red Lion seems to have become the locus of what remains of mod/two tone energy in the 'village, at least when sporadic events take place put on by people who are very likely veterans of the British Legion disco era Cherry Hinton 'scene'.

Not long after this walk I noticed The Specials are due to play in Cambridge soon. Possibly a more mellow prospect than when they played in a tent on Midsummer Common in Cambridge in 1980 amid skinhead violence. The singer, Terry Hall, apparently tried to calm the crowd down by telling them they 'looked stupid standing about in a tent'. It didn't work and he was arrested for his efforts. This became the stuff of legend for the heberts frequenting the British Legion disco and too young to go to 'proper' gigs in town.

Two Tone, Red Lion, Cherry Hinton, Beer Garden, Cambridge, The Specials

Across the High Street is Cherry Hinton Rec, something of a focal point of the 'village'. Although it was empty when I arrived. 'Recs' seem to be relics of a past where a communal green space was automatically factored into the development of a place. Nothing fancy, just a big green square or oblong with one or two paths and maybe some swings, a slide and a roundabout. Possibly some goalposts and a pavilion. Cherry Hinton Rec still has all these things and is pretty much the same as it was in the era of Peter Powell kites and balsa wood gliders.

Of course, dog shit has always been a problem on recs which inevitably are places shared between children and dog walkers.  Special bins to put it in and the practice of dog owners carrying plastic bags to collect it are relatively recent inventions. When I used to go to the Rec there were no such facilities and people didn't think picking up their dog's shit was something they should do. The odd unpleasant incident was almost accepted as inevitable if you were a playing child in the 70s and 80s. At the same time, there were frightening posters about rabies being displayed in the doctors waiting room,  featuring fearsome dobermans frothing at the mouth like Zoltan, Hound of Dracula. The notice on the bin I encountered on the Rec seemed to encapsulate a similar level of dog based paranoia and fear. It featured a public information poster showing a slightly demented looking child with a flea ridden looking dog sat behind an array of sinister looking veterinary products. The headline 'When did you last worm your dog?' implying some sort of terrible epidemic could be just around the corner as a result of non-compliance. The green lichen, if indeed that's what it was, giving the impression it may already be too late.

Dog shit, Rec, Cherry Hinton, Cambridge, Public information films, dogs, moss, lichen

I didn't let this put me off having a walk round the Rec, which was pleasantly dog shit free.  I followed the path that circumnavigates it, past The Tom Smith Memorial Pavilion, home of Cherry Hinton FC and the Cherry Hinton Lions football teams.

Pavillion, Cherry Hinton, Rec, Cherry Hinton Rec, Cambridge, Football

Just beyond the renewed pavilion, the revamped children's play area and a BMX/skateboarding facility that is a relatively recent addition, the green opens out. I walked the path around the edge of the 'field' and as it veered left I noticed the sound of playing children. This got louder as the path drew parallel to Colville School. The children appeared to be wearing costumes, the bright colours exaggerated by the dull grey sky. It was as if they were performing some sort of Avant-Garde linear play as they filed chaotically along the side of the school building. Shortly after witnessing the spectacle, I heard the teacher's whistle blow, an attempt to gather the heard and restore order.

After passing by the small wood at the back of the Rec and then the rear entrance/exit passage that connects the Rec to a post-war housing estate, I came to a corner with a bench. I considered stopping for a sit down but the arrival of a couple of dog walkers made me feel a bit self conscious about doing so. I suddenly felt less 'invisible'. I had no dog. I wasn't a jogger or someone taking their kids out to play. I wasn't carrying out some form of work. I had no visible reason to be there and was conscious that this might mark me as someone to be regarded as suspicious, or at best eccentric.  'I just fancied a walk around the Rec' or 'I'm carrying out a psychogeographical excursion of Chinton' would, I doubt, be convincing explanations to anyone that questioned my presence.

When to dog walkers had past I had a look the other side of the fence. Housing had replaced what used to be a caravan site/mobile home park. When I was a kid, we regarded the caravan site as a bit of a mystery. I knew no one who lived there and wasn't sure if it was for permanent residence or if it was some sort of holiday camp. The favoured speculation of its use was as a nudist camp, but try as we might, we never saw any evidence of Health and Efficiency types living the other side of the fence. It always seemed to be deserted.

I continued on my way and looked across the green back in the direction of the school. There was no evidence of the children I'd seen there earlier and all was silent. The school from this distance reminded me of the old Ipswich Airport terminal building is seen on my recent excursion to the Suffolk Town. In turn, the old terminal building had reminded me of a school, possibly as a result of recollections of Colville School as seen from the Rec years ago.

Cherry Hinton Rec, Colville School, Cherry Hinton, Cambridge

I headed towards the exit and back onto the High Street. Just before I reached the gate I stopped to look at the noticeboard advertising community events. The annual Cherry Hinton festival, a one day annual event which takes place on the Rec, had been and gone in September. But the notice was still there to tell me what I'd missed. This year the theme had been 'Time Travellers'. I suppose I was indulging in a form of time travel myself by lurking around the 'village' I grew up in. But like a rubbish Dr Who, I had arrived about two months too late for the key event. On offer at the festival had been a 'journey through space'  in a planetarium and the chance to 'experience weightlessness (like an astronaut) in the gyroscope'. A much more cosmic offering than the early Cherry Hinton festivals I remembered where some of the highlights were throwing sponges at scouts in the stocks and BMX displays. There was also a parade where various floats made up on the back of lorries by various  organisations drifted down the high street and onto the Rec before the main event. One of these organisations was the keep fit class my mum belonged to, who also gave a demonstration in the 'arena' on the Rec. I didn't rate them as much as the BMXers. Sorry mum...

The sponsors of the festival this year other than the council, were local car/aerospace firm Marshall, the  IT company ARM who's main Cambridge office is the building on nearby Fulbourn Road that used to belong to 1980s computer firm Acorn, and construction company Anderson. The latter are currently 'consulting' with residents about the possibility of a new 'country park' on old cement works/rubbish dump land that links Cherry Hinton with the City. More of that later.

The final item on the agenda for the festival was to 'Go Prehistoric' and meet the dinosaurs'. A similar opportunity seemed to be regularly available at the 'Ol' Boys Club' as advertised by an adjacent poster confirming meetings of this organisation are held Village Leisure Centre every Monday afternoon from 2-4. Activities, designed 'by the men for themselves' include cards and board games as well as slightly more physical pursuits, including walking football. I've never been much of a footballer but a walking version sounded like something even I might be able to cope with. I noticed to qualify as an 'Ol Boy' you have to be fifty, which doesn't seem that 'Ol' to me and an age I'm only a very few years off. I have no connections to any Old Boys clubs that might happen in the University, Rotary Club or Freemasons but I reckon my connections to Chinton might get me in as an 'Ol Boy' when the time comes if I fancy a game of walking football and a chin wag with some fellow ageing Chintonites.

Having left the Rec I passed a house that used to be the cobblers. Once supplier of  the 'blakeys' used to make the loafers worn by the mods of Chinton more hard wearing and audiable. I can't remember it closing but now it's a residential bungalow. Next door to this is Chequers Close, named after the pub that once stood here. The pub building I remember was the 'second' Chequers built in the 50s. It was two storey building but in my memory it had a sort of 'flat roofed pub' quality about it. The facade at the front featured a chequered pattern in the concrete. The photo here pre-dates me but it's pretty much how I remember it looking. It closed before I was old enough to frequent pubs, but before it did went through a period as a sports pub and then a jungle theme pub. I can't find anything on the Internet about either of these incarnations or the reason for the pub closing. I have a vague memory that it had a bit of a bad reputation. But this might just be from recollection of one evening when, from the back of my parents car, I witnessed a large mob of teenagers outside the pub involved in some sort of fracas as we drove past. I think the jungle theme pub was short lived and may have contributed to it's downfall. Maybe the pub was an early casualty of the 'run it down and sell it for housing' mentality of many pub companies.

A little further along is a thatched cottage, which I always assumed dates from a time when Cherry Hinton was truly a village. It stands out on the high street as an artifact from an earlier period (of which I know virtually nothing). It was one of two greengrocers when I was growing up but is now residential. Round the back of it is a light industrial area where a plastics engineering firm is quietly located, .




Cherry Hinton, Cambridge, Cottage, Greengrocers, Village, Psychogeography

Next to the cottage is the starkly contrasting building containing the Cherry Hinton Library and the flats above it. Several libraries in Cambridgeshire have closed or been threatened with closure so it was good to the the facility still operational in its 50s/60s-ish building. The flats above were always something of a mystery to me. A passage leads from the high street underneath the flats and round the back into Coville road. This was as close as I got to knowing anything about the rest of the layout of the building or anyone who lived in it. I never knew anyone who lived in the flats and never heard much about them.  Just prior to my walk, a man living in one of the flats had been arrested after a protracted siege involving a large police presence. Details as reported in the  Cambridge News were up to their usually vague standards with a repetitive commentary that could easily have been condensed into one paragraph. Details were scant and no conclusion about the reasons for the event were revealed other than the man was arrested and was being taken to hospital to be checked out. The residents none the wiser as to why they could not access their flats or why armed police and the dog section were out in force other than the police saying it was a 'domestic incident'. Whether their was more to it and the police couldn't or wouldn't say, or whether the vagueness is down to the shoddy reporting of the Cambridge News, it's impossible to tell.

Oddly, I never closely associated the library underneath with the flats. They were largely invisible when I used to frequent it when  growing up. The library was the only place in the village where any culture, in the form of books and music, could be discovered and for free (well, apart from the nominal charge on borrowing cassette tapes). When I got too old for the children's section, I usually honed in on the Science Fiction and Horror sections. Pan books of horror and novels by people like James Herbert and Michael Moorcock kept me going back for more. Along with the New English Library books I 'borrowed' from my Dad this provided, in retrospect, what many would probably regard as an unhealthy literary diet for a young man. The library also housed several books about film and music, as well as the aforementioned cassette tapes where things that seemed quite 'out there' from the viewpoint of a pre-teen in Chinton could be found among the usual dross. The Batcave compilation and the Anti-Nowhere League were two of the  things I found there not long after my 'defection' from Two Tone to punk. 

Cherry Hinton, Library, Cambridge, Flats, Books

Across Colville Road from the library is a 50s brown building housing shops on the ground floor and flats above. The bakery, now under the name Dorrington's, is still in there. This always used to feature a large poster in the window for a film showing at one of the cinemas in town. It was also the place to sign up to join the cubs. I signed up to join when I was of the right age (about 8 I think) but changed my mind when I found out you had to swear allegiance to God and the Queen. I didn't feel I could commit to that and I didn't want to wear the uniform. There was no sign of cinema or cubs in  Dorrington's which had since been modernised but not poncified. Old school cakes like Viennese whirls were still available at reasonable prices and the coffee was good.

At the other end of the row of the block used to be 'Stops-Shops' newsagent, now a hairdressers. I can't recall how long ago it shut, but presumably the demand for sweets, fags and newspapers could no longer sustain two newsagents. In the end Pledge's, over the road, crushed the competition and is still there, albeit smaller and under a different name. As far as I'm aware it's former name was nothing to do with the furniture polish spray that was popular around the same time.



Cherry Hinton, Dorrington's, Cakes, Cinema, Flats, Cambridge, Stops-Shops

The entrance to the flats in the 'Dorrington's' building was marked by the first graffiti tag I'd noticed thus far. 'Poxy' was one I hadn't seen in town and I assumed must be local to Chinton. 'Nigel' had been conspicuous in its absence.

Cherry Hinton, Poxy, Graffiti, Tag, Flats, Nigel, Psychogeography

On the corner of the building is a cycle repair shop. Prior to an 'interegnum'  during which the shop housed a butcher, it was also a bike shop. John Hart's used to supply cow horn and chopper handlebars to local herberts who used them to customise secondhand bikes picked up through the classifieds in the back of the Town Crier or Cambridge Evening News. Groups of pre-teen kids cycled around the village on these contraptions like a cross between a low grade de-motorised motorcycle gang and a more raucous version of 'Red Hand Gang'. The world of cycling has changed. Now it's all hipster fixed wheelers, commuter Bromptons, crap mountain bikes and sit-up-and-begs. The latter depicted on the shop notice.

I didn't see any examples of these on my walk, only a couple of abandoned Mobikes and Ofo Bikes which stood out as symbols of a sort of failed vision of cycling utopia. A digital age Green Bike Scheme rife for the same sort of abuse. The Green Bike scheme that was tried in Cambridge in the 1990s lasted about two days before most of the bikes disappeared. Indeed, I never saw any attached to the dropping off point installed outside Dorrington's at the time. The Yellow and Orange Ofo and Mo bikes have endured longer. Maybe the GPS tracking and mobile apps used and the money collected makes them more viable. The green bikes had no security at all and were free. Despite new technology and improved security, their successors are  being stolen or vandalised on a seemingly grand scale, but maybe that's factored into the business model.  The Green bikes which were supposed to provide free transport to the people of Cambridge and work to homeless people fixing up and repairing them were a noble idea from the analogue age but one doomed to failure. The new yellow and orange incarnations superficially share a similar vision, but are the product of a digital and business driven age. The main differences are that they are not free (unless you steal one) and they have digital technology which presumably facilitates data harvesting. I'm glad I've got my own wholly analogue, non-hipster old man's basket bike.

Sign, Bike Shop, Cherry Hinton, Cambridge, John Hart, Cowhorn Handlebars

Across the road is a Tesco. In a previous life it was a Budgens. My first job involved sweeping up and emptying bins there after school. I don't recall any sieges or much in the way drama of during my tenure. Indeed, the management seemed somewhat unkeen and inept when it came to catching shoplifters. When my Dad started at the Co-op, the manager at Budgens called to warn him about local character Cowboy Joe, who they had been trying to catch for sometime without success when he came in the shop and stole booze. At the time of the call, my Dad had Cowboy Joe waiting in his office for the police to arrive, having just nabbed him leaving the shop with a bottle under his coat. The Budgens manager was somewhat put out. Cowboy Joe, so called for his 'western' looking appearance and because he carried a large Bowie knife around (you could buy them out of the back of Grattan's catalogue at the time), lived across the road from us in a flat with his girlfriend. Following being nicked due to my Dad's intervention, by way of apology he knocked on our door and gave my dad a tin of Colt 45, an American drink which I think was a Special Brew equivalent for English people who imagined they lived in Texas. It remained in the cupboard undrunk for years before being chucked out.

Tesco, Cherry Hinton, Express, Rectory Terrace, Cambridge, Psychogeography

The other side of the passage that runs alongside Tesco's to Desmond Avenue is The Cherry House, which does Chinese food and fish and chips. This has been there for years now, but when it first opened it seemed like considerable progress. Previously it had been Geoff's Place or possibly Plaice, I can't remember. I do remember it as one of the worst chip shops in Cambridge, with the possible exception of the one run by Geoff's dad on East Road (long demolished to make way for Anglia Ruskin student accommodation). Geoff's Place was a magnet for the local youth who liked to hang about outside, showing off their 50cc mopeds and trying to look hard. As a long haired youth I would often get abuse from these people when I rode past on my bike. I wasn't the only one. A big bloke, a friend's dad, who lived near us and who was not impartial to a few or more in The Red Lion, ended up in the Cambridge Evening News after confronting the chip shop crowd. He'd received some verbal from them, probably on his way home from the 'Lion, so came back with a baseball bat to put the wind up them. He explained to the 'News, 'There were a lot of them and I'm not as young as I used to be'.

Cambridge, Cherry Hinton, Chinese Takaway, Shops, Psychogeography

I've already forgotten what is immediately next to Cherry House where the aforementioned Rogers Hardware used to be. Rogers Hardware sold the sort of things you'd expect a hardware shop to have and later expanded into Rogers Hardware 2 a few doors along.  When he added the video library that was the main draw and probably funded the second shop. Apart from The Great Rock n Roll Swindle' and large horror and martial arts sections, I was always drawn to the dodgy Italian dubbed Mad Max and Conan rip off films. He stocked plenty of these.  Via the wonders of Youtube and daily motion , many of them are available again. It's no longer necessary to carry home a video cassette in an over sized box to put into a top loading Ferguson Video Star. 'Classics' like  Ator The Fighting Eagle or Exterminators of the year 3000 are available almost instantly via a smart phone app, allowing nostalgic guilty pleasure to the middle aged. One of the things the Internet does best.

A few doors along, near to where Rogers Hardware 2 used to be, a charity shop was having a Black Friday sale. This reminded me to check out Black Friday death count later. This facility provides an admittedly morbid tally of deaths and injuries reported each year as a result of the ridiculous frenzy people get themselves into to obtain 'bargain' electrical goods. Most of the events described take place in the US where the 'tradition' of Black Friday comes from. It's somehow connected to Thanksgiving, which itself is a harvest festival but with days off work and a big dinner. In the UK, harvest festival is much more limited. It only happens in Schools and Churches and involves people contributing vegetables or tinned food for the harvest festival display followed by a few hymns.  What the connection is between harvest festivals and mindlessly queueing for hours before getting into a fight over a big telly is difficult to say. Luckily in the UK, Black Friday violence seems to have wained after the first time it appeared here a few years back when ludicrous scenes of rugby scrum style shopping took place and a few people were hospitalised. There was certainly no pushing and shoving today at the charity shop, which had about two customers when I went in. I didn't find any 'bargains'.

Charity Shop, Cherry Hinton, Black Friday, Cambridge, Psychogeography,

At the end of the row of shops is Love Lane, a footpath leading towards Mill End Road. It used to be considerably more overgrown and narrow with a dirt path rather than a proper surfaced one. Given the name, I always assumed it was a place where couples disappeared for a bit of 'privacy'. But since the path had been opened out and made much more visible from the high street, this no longer seemed much of an option.

Love Lane, Cherry Hinton, psychogeography, Cambridge, passage

I walked along the path to Mill End Road, and back up Desmond Avenue and through the passage between Tesco's and The Cherry House. At the back of Tesco's the upper floor windows had been boarded up. Of the four, three were dirty grey, the fourth painted dirty white with the warning 'Danger! apparently hastily scrawled on it. It looked like the upper floor might have recently suffered a fire, but I don't recall anyone mentioning it and can find no trace of one being reported. The shop, like the library, was subject to a siege just over a year ago. This one involved police with riot shields and a lone fifteen year old robber who staged a hold up. I haven't been able to ascertain the reason for the dilapidated state of the upper floor.

Dilapidated building, Tesco, Cherry Hinton, Psychogeography

Past the front of Tesco's is a set back parade of shops known as Rectory Terrace. The name, I think, comes from Rectory Manor which was one of four manors in Cherry Hinton and presumably the land here used to be part of it but my less than intensive research so far has been unable to confirm this. The shops unsurprisingly have changed over the years. But a relic from my childhood, the hairdresser's 'Trim Sett' still looked open on the day of my walk. The only other survivor apart from the bookies is Martin's newsagent which is a truncated reincarnation of Pledges, with half the unit lost to a Domino's pizza. The area in front of the shops had been given a makeover at some point. This seems to have had the effect of enhancing the sort of '60s council estate feel that was already there, albeit with attempts at exotic long grass shrubbery in-between the new but old looking pebble dash effect beige concrete. It's as if the area has been sent back in time to 1960s Harlow via Southend sea front and returned as a miniature amalgamation of both places giving it a sort of Soviet Essex feel.

Cherry Hinton, Cambridge, Hig Street, Rectory Terrace, Trim Sett, Psychogeography

Just beyond the shops I saw a notice advertising an event by The Friends of Cherry Hinton Hall. The 'Hall is a park just beyond Giants Grave which  was once part of Hinton Manor before the enclosures.  It's home to Cambridge Folk Festival and the grand Victorian house that was once the nursery I attended and is now some sort of international private school. The notice promised an evening with Cambridge City Council Officer Anthony French and the chance to raise 'questions and concerns'. I've not heard of any plans affecting The 'Hall as part of the Cambridge Local Plan or anything else, so hopefully any concerns are minor.

Across the road, on the corner of Fishers Lane which leads to the road containing the house I grew up in. On the corner , next to the Baptist Church is a white end of terrace house. There's nothing particularly remarkable about it to look at, not these days anyway. But in the past, according to memory,  a large metal or ceramic black widow spider was placed about halfway up the front wall. I recall vividly the Spider and the witchy connotations it gave the house, the inhabitants of which I never caught a glimpse of. I'm ninety-nine percent sure the spider existed, but have no way of verifying this. The Internet is silent.

Fishers Lane, Baptst Church, Spider House, High Street, Cherry Hinton, Cambridge, Psychogeography


Railway, Cherry Hinton, Cambridge, High Street, Psychogeography

I crossed the railway line which bifurcates Cherry Hinton at pretty much the same point where the boundary between Mill End (the area I'd just passed through) and Church End used to be before they joined to form Cherry Hinton  many moons ago. The area around Church End was apparently at one time a sort of marshy quagmire where occasionally Cambridge university students got lost when they ventured what must have seemed a long way from Reality Checkpoint.

Just past the railway crossing is The Green Hut, a Chinton institution now seemingly derelict and unused. This is next to Cherry Hinton Infants school and at one time occupied land belonging to an earlier version on the school. It served as the parish hall between 1902 to 1985 and during that time was used by scouts and playgroups as well as for wedding receptions and other functions.  The parish hall was relocated to a purpose built attachment to St Andrew's Church in 1985, and a purpose built village centre was opened in 1989 near the library, by Princess Diana apparently but I have no recollection of the spectacle. I don't recall ever entering The Green Hut, which may help explain why such a superficially mundane structure should  seem so bizarre but not why it seems so significant. It's no doubt unnoticed by many passers by or taken for granted. But it seems to quietly emanate a sort of static hum as if it were a depository of memory. It has an intangible importance, only accentuated by it's fall into dilapidation. I've not been able to find out what plans lie in store for it but if it disappears a key locus of the 'village' will be lost.

Green Hut, Cherry Hinton, Cambridge, Parish Hall, Infants School, Dilapidated

A closer look revealed what looked like a miniature doorway.  Next to this the mysterious 'M' symbol, which notably features on the iron footbridge on Coldhams Common as spotted on a previous walk. A link between two Cambridge artifacts established, or an existing one subtly noted, by the tag.  Maybe there are others in the series. I'll keep my eye out.

Streetart, Dilapidated, Cherry Hinton, High Street, Cambridge, Green Hut, Parish Hall

I took a diversion down the side of the Green Hut, along the footpath that leads to a 1970s vintage council estate and which used to form part of my walk to school. The Cherry Hinton Community Junior School is the other side of the estate, on the way to Fulbourn. The estate itself was fascinating to me, its layout of random passages, car parks and small green spaces between flats and houses seemed labyrinthine. It was a larger version of the small estate we lived on the other side of the railway, the houses and flats the same design but with more opportunity to explore and get lost.

Passage, Cherry Hinton, Railway Line, Pschogeography, Cambridge

I didn't go deep into the estate on this occasion, but skirted round the back of the school field and past a children's playground which used to feature a climbing frame shaped like a helicopter and a small hill with a concrete 'ramp' going up the side of a slide, the latter providing a popular and slightly dangerous facility for BMXers. These had long been replaced by more health and safety conscious facilities.

Past the playground I carried on into Tenby Close, drawn by a sudden memory of a windowless old house that had always appeared unoccupied, at least where it backed into the Close. As kids we tried patiently to make a gap in the wall by scraping away the mortar between the bricks. We gave up long before this endeavour showed any sign of us ever being able to access the house. The mystery of what (or who) dwelt inside was never solved. Unsurprisingly, the house now is very much occupied and has windows where before there the mysterious blank wall had captured our imaginations. A planning document online refers to the building as 'The Barn, Tenby Close'. The proposal was to turn it into two dwellings, modest two bedroom affairs. I can't find any information about the previous life of 'The Barn', my Google search just returning a plethora of estate agents adverts. I imagine it was part of a farm, possibly connected with the vicarage whose grounds probably extended that far at one time. Like the Green Hut, The Barn feels like a significant locus of vague memory. Despite its conversion, it still stands out in its setting among the '70s council dwellings as something from another time.

Cherry Hinton, Cambridge, The Barn, Psychogeography, Dilapidated

Out onto Fulbourn Old Drift, I headed back into the high street. The old version house which I remembered as being just set back from the corner seemed to have been demolished and turned into a series of smaller houses. A planning application online seems to confirm this. It also says the old vicarage house dated from the 1960s or 70s. My memory is of something more 1860s or 70s. Either there was a typo in the application or more likely, my memory is as unreliable as it is vague.

I remember there being church fetes held in the vicarage garden but failed to notice what is there now. I was intent on getting to Langdale Close for a view of the Barn from the other side. Langdale Close is built on what was presumably once the farm containing The Barn. A small two storey block of flats from the 70s or 80s (at a guess), face the Barn which sits in the corner, across a green and partially obscured by a large hedge. The flats seem like a secluded brutalist estate. A place it is easy to forget exists, and like the library flats I never knew anyone who dwelt there.


Cherry Hinton, Cambridge, The Barn, Langdale Close, Psychogeography

Langdale Close, Cherry Hinton, Cambridge, Flats, Psychogeopgraphy

I emerged from the hidden corner of Langdale Close and headed back towards the railway crossing. On my left I passes the unusual low rise Infants School building. A place I remember being inhabited by stern dinner ladies and teachers that were either also stern and old or young and of the hippy Playschool presenter type. The bizarre angular roofs of the building were jutting above the  orangy/brown leaves of the dense copper beach hedge which hides the lower half of the building from the street. The rooves still radiated an atmosphere of Izal Medicated toilet paper, sun warmed pre-Thatcher era free school milk and giant papiermache Jabberwocky murals. I was temporarily mentally drawn back inside to a place and time where weekly country dancing and an annual May Queen and maypole dance celebrations took place, alongside more Christainy traditions like hymn singing and nativity plays. Neither made much sense to  me at the time.  Looking back I'm not sure if the school was being progressive in mixing these things, if the headmistress was a sort of Lord Summer Isle type begrudgingly going along with the nativity to keep her job or if the folk of Chinton demanded their ancient traditions be kept alive. It was all in keeping with the retrospectively strange 70s culture that permeated at the time, particularly in children's television and public information films. At the time it seemed normal and mundane.


Cherry Hinton, Infants School, Hedge, High Street, Psychogeography,

Across the road is the site of the former Five Bells pub, demolished not long after an apparently drug related altercation in the car park resulted in a man's death back in 2009. The houses that replaced it date from 2012. This was the fifth and final pub along the High Street when coming from the direction of the Giants Grave. The building I remember was the modern 60s version, which had apparently replaced an original incarnation. St Andrew's Church at the far north of the village used to have five bells in its tower until a sixth was added in 1952. This may account for the pub's name, or may be a coincidence. There was until more recently another Five Bells in Cambridge located in Newmarket Road, in a similar type of building mode. As far as I know the pubs had no other connections other than name, the vintage of the buildings and that they have been demolished.

I continued back towards the railway line and turned off just before it into Railway Street, to head home via The Tins. The Church and other parts of the Northern bit of Chinton, I thought, could wait for another day and would justify a separate excursion.

Railway Street, as it's name suggests, runs alongside the railway and turns into a dirt road about halfway down where it runs behind people's back gardens. Before this there are a few houses and a Plymouth Brethren Hall which is inconspicuously set back from the road. The dirt road and allotment like back gardens used to (and still do) give the street an air of somewhere more rural than the rest of Cherry Hinton. This perception was enhanced undoubtedly when once I was given an egg by one of the residents who kept chickens, a neighbour of one of my friends. Railway Street was the place three of us set of from my friends mum's house house to our first day at secondary school. Solidarity in the face of what might lie ahead after having listened to too much to rumour of heads flushed down the loo and too much watching of Grange Hill shaping our perceptions as to what 'big school' would be like.

I took the left turn before the back gardens, which leads past a few more houses and onto the beginnings of The Tins. The Tins is a path which leads out of Cherry Hinton, a sort of twin of the Snaky Path that runs the other side of the railway line. Both end up in roughly the same place but are different propositions. The Tins initially runs along the front of the terrace of houses which the back gardens belong to. I couldn't remember which of these house my friend lived in. I also never recall previously noticing the solitary old iron post, presumably a stink pipe from the Victorian era. Just further along on the other side is a 1930s vintage electricity building featuring the obligatory 'danger of death' yellow signs. I'd never noticed this before either. Now both objects stood out as things that belonged to The Tins and marked it's starting place.


Stinkpipe, Stenchpipe, Railway Street, Cambridge, Charry Hinton, Psychogeography

I crossed Orchard Estate, a street, not an orchard or an estate although maybe it used to be, where the main section of the Tins begins. This section of the path runs along a housing estate on one side and an empty fenced off expanse on the other. The name the Tins comes from the corrugated iron fences that run along the path for much of this section. I recall it being more 'tinny' with a longer expanse of corrugated iron fence but the memory is vague. The path also used to be much narrower and not lit up at night. Adolescent drunk journeys back from town by foot or bike usually involved a foray along the Tins or The Snaky Path which were  both equally dark and creepy short(er) cuts used to avoid taking the main roads.  The tins at least did not have a brook to fall into, just rusty fences to fall into instead. It was rare to encounter a fellow traveller late at night along these routes but it was always a relief to come out the other end without incident.

Now the Tins has been widened at this section, has an added cycle lane and is lit up at night. There is still a significant amount of corrugated iron fencing, which starts where a newer housing state begins and the earlier one, which clusters around Wolsey Way and is obscured from the path by wooden fencing, ends. Wolsey Way seems to still be in the territory of  Poxy, but this was the last observation I made of the tag, possibly marking a boundary of Cherry Hinton. I don't know if Wolsey Way officially does sit in Cherry Hinton. I've always felt it to be in a sort of peripheral zone off Coldhams Lane, across the road from the former site of The Rosemary Branch Pub. The pub had it's location near to a slaughter house (also now gone) and light industrial and office buildings one one side and the airfield on the other. The notion of a place like Cherry Hinton having 'Edgelands' might seem a bit fanciful, but this zone, including the Tins did and still does feel a lot like that. It's a zone marking the transition from Cherry Hinton to Cambridge proper and is a sort of 'neither' place in between.



Tins, Cherry Hinton, Cambrdge, Land South of Coldhams Lane, Norman Cement Works

This is, and has been for a while, a zone in transition. The vast expanse on the other side of the path is land that was previously occupied by The Norman Cement Works and used as quarries, with the cement factory/works building being further along. The cement works closed in 1987 and it's iconic chimney was demolished a year later. Apparently crowds flocked to witness the spectacle. The part  of the formerly quarried land opposite the rusty fence bearing the legend 'Dasisy' is covered in low rise edgeland 'vegatation'. This is the wrong periphery of Cherry Hinton for Robert Macfarlane, who is known more for excursions into the landscape of the Gog Magogs. But I was reminded of a talk he gave a little while back in which he described 'Bastard Countryside'. McFarlne had written a forward for a book of the same name by Robin Friend, a photographer who had been documenting the strange mix of beauty and ugliness to be found where urban meets rural. The phrase originates from Victor Hugo's 'Les Miserables', and appears a precursor to the recent fascination with 'edgelands', and to some extent Richard Mabey's 'Unofficial Countryside'. Macfarlane's talk expanded on these themes with reference to the area around the Gog Magogs. He mentioned that the area contained  a popular dogging spot. This fact has been frequently and eagerly reported by the Cambridge News in recent times, and much earlier in a publication a boy at school liberated from his dad to show his fellow classmates entitled 'Love In The Open Air'. Macfarlane also mentioned the trend of plastic bags of dogshit tied to trees as the other significant horror of the local 'bastard countryside'. He labelled these objects 'Farages'. I'm unaware of The Tins being known for dogging, but a 'Farage' was blotting the view of an otherwise idyllic edglands scene of  'unofficial countryside'. A combination not as impressive perhaps as the tree growing through a pylon in Friend's book, but nonetheless an expression of the bastard countryside on the Chinton periphery.


Cambridge, Cherry Hinton, Farage, Black Bag, Edgelands, Land South of Coldhams Lane, Unofficial Countryside, Bastard Countryside, Norman Works

The housing estate sitting behind the corrugated iron has replaced an old scrap yard. On the end corner, the location of the last house in the terrace was for years the site of a dilapidated double decker bus, the scrapyard's prime exhibit. The windowless upper deck used to loom above the fence where the first floor windows of the house now stare across the vegetated landscape opposite.

The Tins, Cherry Hinton, Cambridge, Scrap yard, Norman Way, Edgelands, Bastard Countryside

Not far from the former site of the bus was an abandoned bike, a child's version of a shopper bike reminiscent of something that would have been sold in John Hart's bike shop in the late 70s or early 80s. A portent from the recent past marking changing times on the Chinton periphery. The abandoned bike was still there a few weeks later when I cycled this way. The latest changes have yet to manifest.

The Tins, Cherry Hinton, Land South of Coldhams Lane, Cambridge, Edgelands, Bike, Abandoned, Psychogeography

As mentioned earlier, Cherry Hinton Festival sponsors Anderson Group, have for some time been floating the idea of creating a country park and other leisure facilities as part of the development of the area. This has been rumbling on for a while. An idea emerged a few years back to turn the two lakes on the site, created when two of the old quarries became disused, into a sort of seaside with a beach and boating activities. The area around the lakes, on the south side of The Tins, is known variously as East Cambridge Lakes, 'the Chalk Lakes', 'Romsey Lakes', or the maybe more prophetic (or wishful thinking by some)  'Romsey Beach'. Since the cement works  closed and the lakes were created , access to the area has been restricted to members of a local angling club. But it has been used for several illegal raves over this period, the revellers making use of the swimming facilities provided by the lakes. These feature steep sides and I've heard below the surfaces lurks a plethora of rusting and jagged equipment left behind from the Norman works.

The whole area including the lakes, the former quarry/ landfill site  the other side of the Tins and the Territorial Army site (formerly the Saxon cement works, which preceded the Norman works) is marked for development as part of the Local Plan. The area is deignated as an 'area of major change' and has been coldly re branded 'The Land South of Coldhams Lane'. Anderson own 60 percent of the land, other bits are owned by the council and Peterhouse College. Anderson are pushing the idea of the country park as some sort of trade off for planning permission to build houses on the parcels of land they own on the site. The idea being it can be paid for out of some of the money generated from the house sales. There have been a series of events run by consultants working for Anderson where local people could have their say. The blurb for the latest event suggested the views of residents were paramount in 'helping shape the vision' for the site. Whether the developers are genuine, or whether their efforts at community engagement are a facade masking a nonsultation and allowing a box to be ticked for planning application purposes will probably never be fully revealed.  There is certainly some opposition by people concerned about the impact on the wildlife that has colonised the edgelands that emerged in the aftermath of the Norman Works. Others, inevitably, are worried about traffic and car parking. Then there are the anglers, like my Dad. It's clear Anderson were ever  prepared to leave the land as it is. My Dad suggested this at one of the early 'consulation' events and it was clear they were not keen on the idea. The latest community planning weekend took place over the same weekend I did this walk, but I was in the vicinity far too early for the afternoon start time. This consisted of  two 'consultation' days to get views and ideas from the public on the Friday and Sunday, along with open access to the lakes on the Sunday. The following Tuesday an evening event was held to showcase the 'master plan' which would form the basis of Anderson's planning application for the area.

The official website has not been updated since the event and I've not been able to find out from anywhere else what was reported back at the Tuesday session. But at this stage it would be surprising if the development of the area does not begin soon along the lines shown on Anderson's website, and at pace. Nearby across the other side of Coldhams Lane, 'The Land North of Cherry Hinton' is another area marked for change as part of the East Area Action Plan, with housing, a school and new roads planned, incorporating part of Marshall's airfield. Together these developments will potentially remove any 'periphery' here between Cherry Hinton and Cambridge. For the time being though, the land around the lakes remains fenced off with a pelthora of signs of the 'Private, Keep Out' attached at various intervals.

Fence, Private Property, The Land South of Coldhams Lane, Liminal, Psychogeography

Around about the location of the former cement factory is a building called 'The Cambridgeshire' which houses the David Lloyd Gym and was the location for Anderson's community planning weekend. I'm not sure what else is in the building, which has a sort of Blakes 7 quality about it due to the strange semi-circular window and roof above the entrance. This is located in approximatly  where a circular vat used for cement mixing once stood. There were always stories that someones dad had been killed having fallen into the vat and was mixed into the cement, the skeleton broken up and bones hidden beneath the surface of the long since dried out mixture.

Land South Of Coldhams, Cambridge, Cherry Hinton, Psychogeography

Opposite the Cambridgeshire is a car park and some business units housing a cash and carry among other things. I don't know if the existing development of the Cambridgshire, Business Units and the Holiday Inn pre-date Anderson's ownership of the land, but they have only been here for a few years and still feel new to me. Next door to these on the North side of the Tins is another formerly quarry, the one used for landfill for several years after the Norman Works closed. I was tempted to go up the chalky desire path to get a better view (and possibly access) to the site but once again, my footwer of choice, Jason Roamers, made this an impossible endeavour. The  path was wet and too slippery for anythhing other than proper walking boots.

The Land South of Coldhams Lane, Psychogeography, Liminal, Path, Desire Path

Past the Holdday Inn, which sits just past the Cambridhsire building, the Tins narrows again before a sharp upward turn onto the railway bridge, an impressive piece of liminal architecture. The green painted metal was suplemented with graffiti, including a plea to 'paint the world'.

The Tins, Railway Bridge, Land South of Coldhams Lane, Psychogeogrpahy, Cambridge

The fence designed to stop falling/jumping was adorned with a single padlock. Presumably a lovelock. There have been numerous examples of bridges covered in 'lovelocks' across the world, but the idea doen't seem to have caught on much in 'The Land South of Coldhams Lane'. 

Love Lock, Railway Bridge, The Tins, The Land South of Coldhams Lane, Edgelands, Liminal, Cherry Hinton, Psychogeography


The view from the bridge of the railway line heading back to Cherry Hinton and beyond coupled with a bit of pointy grey fence is definately edgelands. Definately 'bastard countryside'. But unlikely by many people to be considered romantic, other than the liminally inclined.

The Tins, Railway Line, Land South of Coldhams Lane, Cambridge, Psychogeography

Along the final stretch of The Tins, the frequency and variety of Private Property signs increased, particularly on the side with the fence separating the path from the Romsey Lakes/Beach.

Private Property, Land South of Coldhams Lane, Romsey Beach, Cherry Hinton, Psychogeography

The Land South of Coldhams Lane, Psychogeography, Cambridge, Cherry Hinton, Romsey Beach


Private property, Cambridge, The Land South of Coldhams Lane, Psychogeography, Cherry Hinton, The Tins

Behind the fence on the other side of the path is an assault course on land occupied by the Territorial Army, which used to be the Saxon works. The other side of the assault course is another fishing lake and former quarry. Two warning signs stood side by side warning of the danger of deep water. Bifocal public information. I've never ever seen anyone use the assualt course and I'm not sure the TA even still use the site. Thoughts of the Krypton Factor and Gordon Burns always spring to mind when I pass here. I always thought it was a bit unfair that the contestents on the show deemed less fit and able to cope with the assault course got a head start, while in the mental agility round the least clever people never got any sort of concession. I last spotted Gordon Burns on 'Look North West' a few years ago when I was staying in a hotel in Manchester. His calm and friendly Krypton Factor host manner appeared to have been replaced by disinterest and slight anger as he introduced the admitedly mundane events going on in the Manchester Region that day . Maybe the cause of this change in personalitywas his 'demontion' into presenting regional television news. Or maybe resurgent guilt at the inequal treatment of countless past contestents who found the mental agility round to be their achillies heal.

The Tins, Cambridge, Assault Course, Territorial Army, Krypton Factor, The Land South of Coldhams Lane, Saxon Works, Liminal,

The odd structures of the assault course coupled with the stillness and complete lack of human activity gave it an atmosphere reminicent of John Petwee era Dr Who or a place that might be discovered by people displaced following some sort of catasprohe in a 70s TV drama.

Psychogeography, The Tins, Cambridge, The Land South of Coldhams Lane, Krypton Factor, Territorial Army, Assault Course

Back the other side of the path, the private keep out signs gave way to bits of streetart/graffitti. One featured a picture of a bloke who might have been Jack Nicholson, but could equally have been Del Boy, coupled with the the words 'Follow Your Dreams' in a script style indicating a level of sarcasm rather than optimism was being conveyed.

Streetart, The Tins, Land South of Coldhams Lane, Cambridge, Romsey Beach, Romsey Lakes

A little further along an electcity box had been arted up to feature a pained human face underneath the word 'Cruel'. Possibly a pop at the proposed development and it's effect on the wildlife currently inhabiting 'The Land South of Coldhams Lane'. The agonised face an anthromorphised concentration of the suffering to come.

Electricity Box, The Tins, Streetart, Cruel, The Land South of Coldhams Lane, Cambridge, Psychogeography

At the end of The Tins the foot/cycle crosses a small bridge. The current bridge, which replaced the previous  old rickerty and narrow wooden one, was constructed by Concrete and Timber Services Limited of Huddersfield. Memories of Huddersfield and the World Congress Psychogeography a couple of months earlier were still fresh(ish). The bridge, as well as being the physical crossing to Burnside and beyond to Mill Road and Romsey, also felt like a connection back to Huddersfield. 

Huddersfield, Fourth World Congress of Psychogeography, The Tins, Burnside, Cambridge, Land South of Coldhams Lane, Concret and Timber Services Limited
The Huddersfield Connection
Burnside leads one way onto Mill Road along a short stretch of housing each side. The other direction follows the brook on one side with houses along the other leading up to the allotments and Snaky Path. The street always felt a little cut off from Mill Road and Romsey, and from Cherry Hinton. With the development of The Land South of Cherry Hinton, what's left of this atmosphere is unlikely to remain. I considered my walk done at the site of the black and white post next to the road sign. The Burnside Post. I drifted back towards Mill Road, leaving behind the transitional 'Land South of Coldhams Lane' and Chinton for now.